Thursday, May 29, 2025

Multifunction effects pedal

Barely two months ago, when writing about the rotary chorus pedal1, I wrote "Hopefully this is the last pedal that I will purchase (some hope)". That pedal has become extremely useful, but there are times when I wished that I had a more subtle chorus pedal, or delay, or reverb. Theoretically the guitar amplifier2 has effects but I have yet to find a good setting; also, only one effect can be set, and it is always on, if it is being generated by the amplifier.

As is my habit, I was browsing through items at Temu when I saw the multifunction effects pedal, the Looper Pro. I'm not interested in looping, but a delay/chorus/reverb pedal is intriguing. Today the pedal arrived and I installed it on my pedalboard, removing the cheap delay (or was it chorus3) pedal that didn't seem to make any difference to my guitar's sound.

As opposed to the amplifier effects loop, I can have all three effects working at the same time, although should I want only one, I'll have to turn the others off. I'll probably do the same as I did on the rotary chorus: mark a reasonable setting, so I can turn the effect off then restore it without trying to find that reasonable setting again.

I realised that the delay effect really should have two knobs: one for the length of delay and one for the number of echoes. The 'level' control is wasted: it controls the output volume of the pedal, whereas it would be better if it set the 'mix' between straight sound and effected sound - as per the octave pedal.

It's a bit difficult to see in the picture, but there is a red LED on top of the circle surrounding the foot switch, beneath the E of loopEr. This shows whether the pedal is connected to power - which it will be all the time in a session. It would have been better to have this LED show when the effect/s is/are being used; instead a much smaller LED next to the 'level' control shows this.

Enough griping; what does the pedal sound like? I set a small amount of each effect to be 'on' and this produces a warm sound. The delay is problematic if I'm chopping out chords with no sustain, but it's good when I'm picking. This effect then is a candidate to be turned on for certain songs and off for others.

Maybe this pedal will be the last pedal that I buy.

Internal links
[1] 1914
[2] 1908
[3] 1849



This day in history:

Blog #Date TitleTags
17529/05/2009Who plays with whom?Programming, SQL
103629/05/2017The music roomMusical instruments, Guitars

Wednesday, May 28, 2025

Look, ma - no hands!

 

Grand-daughter #3 stood for the first time today without any support! A big day in her life.

And now for something completely different ... since my visit1 to the ENT doctor and having my ears cleaned, my hearing has gone weird. Listening to music via headphones is fine, but voices sound as if someone has given them a 3dB boost at about 5kHz or has used a high-pass filter. This is as true for my voice as it is for anyone else's. Apparently it can take a few days for the brain to reset and recalibrate itself after ear cleaning, so I'm not too worried at the moment.

Internal links
[1] 1940



This day in history:

Blog #Date TitleTags
13428/05/2008Back painsProgramming, CPAP, DVD, Back pain
17428/05/2009Holy Grail, part 2Programming, Office automation
71328/05/2014Stinging nettle teaHealth
85828/05/2015Vinyl log 11 - 28 MayRichard Thompson, Vinyl log, Fairport Convention
103528/05/2017Sgt PepperBeatles
162028/05/2023Musical group (2)Musical group

Sunday, May 25, 2025

Visit to the ENT doctor

I haven't mentioned this here, but for the past six months I have often suffered from a nose that gets blocked at night. This is exacerbated when breathing with the aid of a CPAP machine, as one can't breathe through the mouth. As a result, I would awake, try to unblock the nostril either with a shot of Otrivine or eucalyptus oil. The oil doesn't always work and Otrivine is on the hit-list of doctors as its efficiency reduces the more one uses it (habituation); use can also lead to rebound congestion. During the day, I didn't sneeze very often, but frequently felt the need to blow my nose. Most mornings would start with five minutes of nose blowing.

This topic was of course raised during my viral/bacterial infections1 during February and March; at the same time, when I complained of ear pain, the clinic nurse noticed that the right ear was full of wax. I booked an appointment for an ENT doctor, for which I would have to wait an unreasonable three months. Once the gross effects of the infection passed, my GP prescribed a nasal steroid spray that I would use in the middle of the night when my nose got blocked.

Well, the three month waiting period has passed and this morning I had my long awaited appointment with the ENT doctor. After hearing my presentation and showing her the nasal spray, her first remark was that the spray should be used twice a day for three months, not occasionally. I don't know how many doses are left in the inhaler so she prescribed a new one. I was then thoroughly examined - throat, glands, sinuses by hand, then nostrils by means of a nasal endoscope. This wasn't the most comfortable ten minutes of my life, but it wasn't particularly uncomfortable. The left nostril was declared clear, whereas the right nostril (which is the more likely nostril to get blocked) apparently has a lump of solidified mucus near the opening, which is why it gets blocked more often.

The doctor's attention then moved to my ears. I had naively thought that the wax would be extracted with some form of device like a corkscrew, but no - the wax is removed by a device very similar to that used in liposuction. There was a suction pump on a nearby table to which was connected a thin metal tube; the tube is inserted in the ear and the suction removes the wax. Removal of the wax in the left ear went quickly, but the right ear required far longer; the doctor showed me the results of the suction, entrapped in the thin metal tube that presumably is discarded.

I don't think that my hearing has improved yet in the right ear, but every now and then there is an odd feeling, like the ear becoming unblocked when travelling down a hill.

The doctor asked me to book a repeat appointment for three months time, and it will be interesting to see what progress will be made in that time. Of course, I want that my nose should stop getting blocked at night!

Internal links
[1] 1906



This day in history:

Blog #Date TitleTags
71225/05/2014Yorkshire puddingCooking
122625/05/2019Plaka (Greece 10)Holiday, Athens, Greece

Tuesday, May 20, 2025

Bluetooth headphones for my mobile phone

I wrote exactly one month ago about receiving a "type C headset" that via a kludge connect to my new mobile phone. Although I was very satisfied with the headphones, the connector has been causing problems in the past few days, so when I was in our local shopping mall yesterday, I thought it prudent to investigate possibilities. I should mention in advance that I don't like in-ear headphones.

At first I was looking for a wired solution, but shortly it occurred to me that if the problem with the previous headphones was the connector, then maybe it would be better to go for a wireless - aka bluetooth - solution. So I bought a pair of the R13 headphones as pictured on the left for 99 NIS (about $23); this seems to be the going price in Israel.

I charged them overnight and this morning set about learning how to use them. First of all, I turned them on. Then I turned on the bluetooth setting on my phone, found the device and paired them. Then, wearing the headphones, I 'dialled' my wife from the phone - I could hear her and she could hear me via the internal microphone. So far so good. Then someone phoned me; wearing the headphones, I gave a short press on the power button - and I could answer the call. Closing the call was similar.

There is even a socket for a TF card on the headphones, so maybe I should buy such a card, fill it with songs and then I can listen to them all day instead of listening to music via headphones connected to the computer that I have to remove when someone calls me.

Internal links
[1] 1926



This day in history:

Blog #Date TitleTags
36220/05/2011Kate Bush - The Director's CutKate Bush, The Unthanks
71020/05/2014Tea and ironHealth
85420/05/2015Venice log 1 - ArrivingHoliday, Venice, Italy
113520/05/2018Harvest festivalJewish holidays, Kibbutz
122020/05/2019Villages (Greece 4)Holiday, Andros, Greece
122120/05/2019Searching for the elusive waterfall (Greece 5)Holiday, Andros, Greece
131920/05/2020More DBA news in May: it's getting even nearer the endDBA
176420/05/2024Master of researchDBA

Sunday, May 18, 2025

YouTube surprises

I often watch various episodes of 'Top of the pops' from the late 60s and early 70s that have been uploaded to YouTube as these take me back to when I was a youngster who would religiously watch this programme. It's interesting historically to see the different instruments that were used and to watch the groups as they were then: who have survived and who never made it past their first charting single.

Not expecting very much, I started watching the episode from 29 January 1970; the chart positions were very similar to another episode that I had watched a few days previously, with Edison Lighthouse at number 1 with 'Love grows where my Rosemary goes'. This was a fictional group if ever there was one, fronted by Bristolian Tony Burrows (actually born in Exeter), who was a very much in demand session singer at the time and appeared several times with different 'groups' around this time.

To my immense surprise, the first act to be shown were Blodwyn Pig! Miming to 'Same old story'!! It's not often that TOTP would feature a song in 5time!!! Unfortunately the video is in black and white so I have to imagine the colours of Mick Abrahams' waistcoat (he looks the same as on the cover of 'Getting to this').

When this was first broadcast, it didn't exactly 'blow my mind' as I had seen the Pig a few times on television, but to get on TOTP was quite a feat and I was probably quite surprised. As I recall, the show had started an 'album spot' featuring artists who otherwise would never have got within a hundred miles of the show. The only other appearance in this short-lived spot that I recall was King Crimson miming 'Cat food'. Now that I think about this, BP and KC weren't part of the 'album spot' but were instead promoting singles that had no chance of reaching the charts (I bought both). 

The 'album spot' came a bit later and featured groups playing more than one song. The only appearance that I remember was Fairport who played two songs from 'Angel Delight', including an instrumental. Dave Mattacks wore a tee shirt with the legend 'miming'. If they were promoting AD, then this would have been 1971 after Richard Thompson had left, and so there is no connection between this and the early 1970 appearances of BP and KC.

Continuing the video: Rare Bird appear, promoting their sensitive single, 'Sympathy'. I had always thought that this song was sung by two people, where the first, soft, voice sings the first two verses, then a harsher voice belonging to someone else sings the next verse. But the performance had only the bassist singing, joined by the drummer for the final chorus.

But wait - there are more surprises: Jethro Tull appear, promoting "The witch's promise"! I wonder what went on in the green room between Mick Abrahams and Ian Anderson, considering that Abrahams had left/been forced to leave Jethro Tull slightly over a year previously. I bought this single too, as well as the sheet music, as in those days I didn't have the ability to learn a song by ear. I learnt this skill by playing a record and following the chord changes in the sheet music, learning what was causing what I was hearing. Funnily enough, this episode of TOTP also features "I'm a man" by Chicago (who did not appear); this is another song whose sheet music I bought.



This day in history:

Blog #Date TitleTags
85118/05/2015Florence log 4 - ICSE 2015DBA, Holiday, Florence, Italy
113418/05/2018A long term mystery solvedComputer
121818/05/2019Batsi (Greece 2)Holiday, Andros, Greece
121918/05/2019Chora (Greece 3)Holiday, Andros, Greece
161818/05/2023Headphones sorted!Headphones
176218/05/202475 years (2)Kibbutz

Saturday, May 17, 2025

Recording "Maeve's song" - production notes

I apologise in advance that most of what is written below is of limited interest (if at all) to anyone but myself. That said ....

A few nights ago, I started recording vocals for the new "Maeve's song". As I wrote1 at the beginning of the month, it looks like I am going to transpose the song up a key so that I can sing the verses, then transpose my vocals down a key. Similarly, I may have to transpose the bridge down a key to let me sing the high notes. I prepared new, partial, backing tracks to sing against and sang the verses several times until I had a good performance.

When I came to mix this in the multi-track recorder software, I had problems with the word "I" that unfortunately appears several times in the lyric and always at the beginning of a line. There were 'computer pops' that are very annoying and very amateur (these are due to clipping); I thought that I would fix this by compressing that one syllable or by changing volumes but I couldn't get rid of them ... until I tried removing the standard compressor on the vocal track. The pops disappeared and the sound improved, except for the fact that all my attempts at removing the clipping had created very uneven volumes. The third verse seems to have been clean of such problems. Maybe I should cease using a compressor as a default effect in future recordings.

So yesterday I set about rerecording the first two verses: again this took several passes until I achieved the sound that I desired. I then dropped the pitch of the vocal by two semitones so as to be in the correct key. Once I was satisfied with this, I worked on singing the bridge (lowered by two semitones). I had severe problems in pitching the first line - it seems that there was a subliminal cue that was sending the wrong signal. Eventually I sang the first line of the bridge over the third line, cut that part out then pasted it over the messed up first line of another take. Thank God for digital scissors.

Now I had all the vocals set up so all that was left to do was balance the volumes (understatement). All in all, I think that I made twenty mixes, each time improving something. Most of these improvements were balancing the volume of phrases within a verse as well as adjusting equalisation settings. At one stage I noticed that I was always applying spot compression to four 'hot spots' in the mixed file, even though those spots seemed to be unproblematic in the source files. I noted down these syllables (e.g. in the first verse, "I had to start") then compressed them in the sources. Final mixes from this point on were much easier.

Eventually I produced a mix that seemed to be as good as I could get; I left this to 'mature' overnight. I had a feeling that this song was quieter than the others that I had recorded so far this year, but when I listened again this morning with fresh airs, the volume is equivalent. There is still one phrase that is slightly quieter than its neighbours, but I don't think that I'm going to change this. I'll listen over the coming days and if it annoys me in another week, then I'll change (yet again) the volume of that phrase.

Interal links
[1] 1932



This day in history:

Blog #Date TitleTags
85017/05/2015Florence log 3 - Take it easyHoliday, Florence, Italy
121717/05/2019Arriving at Andros (Greece 1)Holiday, Andros, Greece
131817/05/2020HeatwaveIsrael, Weather
150217/05/2022Yesterday's skyWeather
176117/05/2024In silenceSong writing

Saturday, May 10, 2025

Refactoring the checkbox editing code

As I wrote1 yesterday, I'm sure that tomorrow it will be clear how to turn this localised code (similar code appears in another unit) into something more abstract and global. Well, "tomorrow" has come, and in fact it was very simple to refactor the code and create a new ToggleCheckBox procedure.

Procedure ToggleCheckBox (agrid: TDBGrid; sds: TSimpleDataSet); var i, n: integer; s: string; begin s:= agrid.selectedfield.FieldName; for i:= 0 to sds.FieldCount - 1 do if not sds.Fields[i].readonly then if sds.Fields[i].fieldname = s then begin sds.edit; n:= sds.Fields[i].asinteger; if n = 0 then sds.Fields[i].asinteger:= 1 else sds.Fields[i].asinteger:= 0; sds.post; if sds.Eof then begin sds.Prior; sds.Next; end else begin sds.Next; sds.Prior; end; break; end; end;

Several hours later, it occurs to me that it is probably cleaner to pass the grid's selectedfield to the procedure instead of the entire grid; as a result, there is no need for the variable s and the comparison is now against sds.Fields[i] - there's no need to compare the fieldnames.

Internal links
[1] 1935



This day in history:

Blog #Date TitleTags
48010/05/2012Charity begins at homeCharity work
70510/05/2014Dreams, obsessions and predictionsDBA, Robert Silverberg
70610/05/2014Restless legs and a research draft outtakeDBA, Health
84110/05/2015Investment fund managerLTC fund management
95010/05/2016Unconnected snippetsPersonal, Shoes
102910/05/2017DCI Banks - Wednesday's childDCI Banks, Police procedurals
131610/05/2020Jamie Oliver inspires a chicken dishCooking
175810/05/2024Been down so long, it looks like up to meLiterature

Friday, May 09, 2025

Editing check boxes in a DBGrid

I wrote1 a few weeks ago about how to make certain fields editable in a data grid. As I wrote towards the end of the blog, The flags are shown as checkboxes drawn on the grid, but when they are edited, their real nature is disclosed - they have one of the values 0 or 1. The user has to enter the appropriate value in order to change the state of the checkbox.

This has nagged me somewhat; it would be better that the user simply press the space bar in order to toggle a flag's value. When I sat down to try and solve this problem a few weeks ago by using the grid's OnKeyPress method, I asked myself how do I know which column is being edited? Today I discovered the answer to that question: the function dbgrid1.selectedfield.FieldName tells me the column's name. Once I had this, some fiddling around gave me the following code (this is after a few iterations):

procedure TDoStatus.DBGrid1KeyPress(Sender: TObject; var Key: Char); var s: string; Procedure SetFieldValue (f: TSmallintField); var n: integer; begin qDoStatus.Edit; n:= f.asinteger; if n = 0 then f.asinteger:= 1 else f.asinteger:= 0; qDoStatus.Post; end; begin if key = ' ' then begin s:= dbgrid1.selectedfield.FieldName; if s = 'FUTURE' then SetFieldValue (qDoStatusFuture) else if s = 'MEETING' then SetFieldValue (qDoStatusMeeting) else if s = 'COPYCONTACT' then SetFieldValue (qDoStatusCopyContact) else if s = 'CLOSED' then SetFieldValue (qDoStatusClosed) else exit; // this stupid code gets the grid to redraw itself if qDoStatus.Eof then begin qDoStatus.Prior; qDoStatus.Next; end else begin qDoStatus.Next; qDoStatus.Prior; end; end
end;

This does indeed work, although it's not perfect. First of all, the user can still type 0, 1 or anything else for that matter, and my code doesn't prevent that despite my attempts at doing so. Maybe I should add the end 'else key = #0'. If the user does type 0 or 1, then nothing happens, so at least that's good. Secondly, I don't like the code at the end with the prior/next calls; this seems extravagant, but a call to 'refresh' may do the same fiddling around. Finally, it would be nice if I could make this more abstract by passing a global function the name of the query, although it's not clear at the moment how I would use selectedfield.fieldname. 

Today I was concentrating on writing code that works correctly; I'm sure that tomorrow it will be clear how to turn this localised code (similar code appears in another unit) into something more abstract and global.

Internal links
[1] 1916



This day in history:

Blog #Date TitleTags
7309/05/2007Killarney Boys Of PleasureSoundclick, Folktronix, Lunasa
35809/05/2011Running a database query which automates Word in a background threadProgramming, Delphi, Office automation, Threads
47909/05/2012Early footage of The BandThe Band, Youtube
58209/05/2013More sleep analysisCPAP
84009/05/2015Preparing for Florence (2)Holiday, Florence, Italy
102809/05/2017ZingersPersonal, Films
131509/05/2020DBA news in May: it's getting very near the endDBA
161509/05/2023Two weeks of ErythritolHealth, Erythritol

Wednesday, May 07, 2025

Transportation justice

"Transportation justice" is the awkwardly named initiative of the Ministry of Transport introducing a reform regarding fares on public transport.

  • People over the age of 67 now travel free on all forms of public transport (reduced from age 72)
  • People living in "the periphery" receive 50% discount
  • For everyone else, prices have risen for the second time in several months by about 15%
So it's not what I would call justice: instead of having one price for all, the price for some people has been lowered and for others raised. And of course, those who pay are also hit by all the other price increases.

As I am over the age of 67, I can now travel for free, and about ten days ago I received a message from the company that issues the smart transport cards that explained how to update my smart card. I could do this from my telephone although it was dependent on having an account with the company that I apparently have.

Today I used my card to travel free to Tel Aviv. This isn't actually such a big deal for me as the company for whom I work reimburses me for travel expenses, and I only travel maybe two times a year for personal reasons. Still, it saves having to fiddle with ticket machines and saving the receipts. This also enables me to alight at one stop but board at another; this worked previously (eg the day we went to the Gaza border1, I alighted at Bnei Brak, but returned from the University stop) but always made me wary. Should I want to, I can now board at Bnei Brak, alight at Azrieli, shop, then board and go home.

Internal links
[1] 1894



This day in history:

Blog #Date TitleTags
24807/05/2010EconomicsMBA, Economics
83907/05/2015Vinyl log 9 - 7 MayVinyl log, 10cc
112907/05/2018Never underestimate the power of a hot showerProblem solving
121507/05/2019Return of the mobileComputer
149907/05/2022Fall of man in WilmslowEnigma, Literature

Monday, May 05, 2025

Digital voice recorder part two

Continuing this topic that I wrote1 about two weeks ago, I ordered a new recorder with 64GB memory for 70 NIS (about $14) that arrived after only eleven days. The controls are almost the same as on the old recorder, but the setup is slightly different. For example, there is no option to chose between internal microphone and line-in: I suspect that connecting something to the line-in socket disables the internal microphone. I took the device down to our rehearsal room and checked that it worked; the sound seemed somewhat muffled but was definitely coming from one of the microphones (actually I checked three) connected to the mixer.

On Saturday, I took the recorder with me to our rehearsal, connected it and turned it on before we even started playing (I turned it off after we finished). I had defined to myself three goals:

  1. To check that a proper recording can be made from the mixer
  2. To check the balance between the instruments and the vocals
  3. To listen to our playing, especially to the mistakes, in order to improve

The next day, I connected the recorder to my computer via the supplied USB cable (the recorder arrived fully charged, by the way) and copied the one file. I then imported it into Audacity and started listening to various parts (not the whole thing as there were plenty of times when we were talking and not playing).

Goal #1 was definitely achieved, although looking at the wave forms, I should turn the recording volume down slightly as there appears to have been clipping. I'm not sure that there is an output volume control on the mixer.

Goal #2 was important: using the voice as a basis for comparison, the keyboard needed to be turned down slightly, the lead guitar needed to be turned up, I was approximately ok, the bass was nowhere (problems with the mixer) and the drums could be turned up a bit. It might be that the microphone on the bass drum needs to be changed or reduced in volume as it did not record cleanly. I've only just realised that the mixer has no LEDs or VU meters, so setting volumes is a matter of guesswork and listening.

Goal #3 was not worth bothering about as we were playing for the first time three new songs: one simple (but the key was changed from A to Bb without warning), one moderately complicated and one very complicated. Obviously this will improve; I'm going to write out chord charts to make that complicated song easier to follow.

I extracted from the recording the best version of two of the songs and sent them on.

Internal links
[1] 1925



This day in history:

Blog #Date TitleTags
12905/05/2008Whoever would have believed it?Maccabi Tel Aviv
17205/05/2009HeronHeron
58005/05/2013One gets what one pays forHeadphones, Gadgets
175405/05/2024Milano: another mixed dayHoliday, Italy, Milan

Friday, May 02, 2025

Maeve's song

A few weeks ago, I wrote1 about the song that I was working on and had near enough completed; at least the arrangement was complete but there were no words. Since then, no ideas had come about words, but I finally found a source yesterday. I was reading (for the second time) 'The burning' by Jane Casey: this is the first book in a series about ambitious Detective Constable Maeve Kerrigan. 

A modern police procedural novel is as much about the detectives as it is about the murder. After all, where would Banks and Rebus be, if not for their music, their families, their loves and their losses? The books would be far less interesting without these. And so we are treated to no small amount of Kerrigan's private life, such that it is; a constable gets much less rest than a chief inspector.

Here's the passage (from chapter four) that fired my imagination, although to be fair, I didn't need to imagine very much; I only had to turn the passage into a pseudo-poem. At the moment there aren't very many rhymes, but no doubt these will get added as I revise the lyrics. As the song expresses her thoughts and not mine, I thought it best to name the song after her.

I woke up briefly when Ian came home. He stood in the doorway for a long moment, silhouetted against the light. I didn’t speak, but neither did he, and I didn’t know whether to be glad or sorry when his footsteps receded in the direction of the guest room. It was what I had wanted, but somehow not that either. What I really wanted was for things to be wonderful between us. What I wanted was the relationship we had once had. I didn’t want to give up on Ian. I had liked him, a lot. I still did. But he couldn’t understand why my job was so important to me, and I couldn’t understand why he needed to compete with it.

As for recording the song, it looks like I am going to transpose the song up a key so that I can sing the verses, then transpose my vocals down a key. Similarly, I may have to transpose the bridge down a key to let me sing the high notes. I'm not ready to record yet anyway, as I want to improve the lyrics.

Today is grand-daughter #1's ninth birthday.

Internal links
[1] 1921



This day in history:

Blog #Date TitleTags
17102/05/2009Heron - River of fortuneHeron
121302/05/2019DietHealth, Anaemia, Diet
175102/05/2024Menaggio in the rainHoliday, Italy, Varenna

Thursday, May 01, 2025

Dietary changes and life hacks

Over the past few days, I've been reading a few books by Dr Steven Gundry MD about how our modern diets aren't good for our bodies (the books are 'The gut-brain paradox' and 'The energy paradox'). His wiki page is very critical of the claims that Gundry makes, although the wiki is limited to Gundry's lectin-free diet and doesn't mention very much else. The books are very American-centric; not all of us eat the same diet as the average American, and so some of the advice/ranting is irrelevant. That said, there are some small valuable pieces scattered here and there throughout the books.

I don't suffer from brain fog (except when I'm ill and there's an explanation for that) nor do I need to 'improve my mood'; I'm not gregarious and never will be, so there's no need to fight this. I eat many 'good' foods and I walk between 7-10 km a day, so there's plenty of exercise.

The one thing that I don't like about my body is that I am overweight. No doubt part of this is due to the fact that I have been working from home for four years, and the distance from my desk to the fridge is very short. I have the habit - that I have to break - of eating something, normally a biscuit, whenever I drink. And as I am advised to drink a lot, I also eat too many biscuits each day. What does Dr Gundry have to say about obesity?

Gundry writes a great deal about the microbiome (i.e. the bacteria and fungi living within us in a symbiotic relationship) and how we should nourish it as we will reap the benefits from doing so. Eating more fibre is always recommended as we never eat enough these days with processed foods, but the fibre isn't for us but rather for the microbiome. For several months now I've been taking a probiotic pill each day - Bio 25 - that contains 11 different species of bacteria that are touted to alleviate various digestive disorders. It's difficult to be scientific about this when I'm the sole subject, but I think that this has helped me.

There was a hint in 'The gut-brain paradox' that the microbiome can help one lose weight, so I googled this topic and found that there is a bacterium called Lactobacillus Gasseri that is indeed touted to help weight loss. But being a (failed) doctoral student, I have to look for scientific research that shows this is so. I admit that I didn't look very far but found an interesting paper on the topic. To quote its conclusion, It seems that the use of a high dose of L. gasseri BNR17 in clinical trials is associated with more pleasant [sic] results on weight loss.

This bacterium is not one of the eleven species that are contained within the probiotic that I currently take, so I approached the probiotic's manufacturers via a WhatsApp conversation, asking which of their products contains this bacterium. The answer came back: Bio Female. Yes, this species is included in a product aimed for women only! Looking at the five bacterial species contained within this probiotic, I can see that one is the one I'm looking for, and two are contained in my current probiotic. Maybe in the future I'll take the new one and stop taking the old.

Another hint that I found was 'drink vinegar dissolved in water'. I became aware of  his hint, or hack if you prefer, two years ago in 'The Glucose Revolution'1. At the time, I found a paper that said that citric acid (as found in lemon juice) is more effective at retarding amylase (the enzyme that breaks down starch) in the mouth than is acetic acid (vinegar). But Gundry takes this a step further: the acetic acid both slows the breakdown of starch in the stomach that aids the mitochondria (the part of the cell that produces energy) in working more efficiently, but also provides acetic acid as is that is used to create short chain fatty acids, that in Gundry's opinion are lacking.

Of course, I have to find peer reviewed approval of this idea and so found this paper that shows that The addition of 5 mL, 10 mL or 15 mL of ACV [Apple cider vinegar] to the diet resulted in significant decreases in body weight and BMI at weeks 4, 8 and 12 of ACV intake, when compared with baseline (week 0) (p<0.05). The decrease in body weight and BMI seemed to be dose-dependent, with the group receiving 15 mL of ACV showing the most important reduction. I saw that the group that added 15 ml vinegar daily to their diets reduced their weight by 10% after twelve weeks! They were drinking the vinegar on an empty stomach, whereas I'm drinking it through the day.

A final hack is to reduce one's eating hours. I eat breakfast at 6:30 am, lunch at 1 pm and a small supper at around 6 pm; the hack would be to eat 'supper' - normally a slice of bread with cheese and cucumber - at around 4 pm. This means that my body will be without food - or in a fasting state - for fourteen and a half hours. There is a saying that I thought originated in the Israeli army but is also quoted by Gundry (in English): what doesn't kill you strengthens you*. Put another way (in my words), a little suffering helps the body.

Gundry writes: Another study involving human volunteers, carried out by circadian researcher Dr. Satchin Panda at the Salk Institute, showed that reducing your “feeding” time (whether you’re a mouse or a human being) to ten hours—leaving fourteen hours of non-eating—conferred huge benefits over eating and digesting for fifteen hours and fasting for nine or fewer hours. Dr. Panda found that even when slightly overweight people reduced their eating window to ten hours, they reset their cellular clocks and lost weight, were much more energetic, slept better, had improved moods and sharper thinking—all over the course of just a few months.

I drink a glass of water before I start my morning walk and eat on my return; Gundry writes using your muscles in a fasted state promotes greater mitogenesis and hence greater energy production. I need to add some vinegar to that water to really help.

So here we are. I'll start on these hacks right away (I've been drinking vinegar for the past few days) and hopefully I will see some decrease in my weight.

* Apparently this came from Friedrich Nietzsche: “What doesn’t kill me makes me stronger.”.

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